Hi everyone,
I spent a few minutes playing (!) with the dichromatic shafts that Matt created. These have a lot of interesting potential. I attached a few photos and a couple of very rough videos (one-handed/no-handed capture on an old phone) just to give a few hints at this potential. It goes without saying that these perceptual experiences are far richer in person. The static images show the effects on the wall of light reflected off of a random pile of these pieces. This static configuration produces a projection that changes shape and color as the sun moves across the sky. While this is cool, it is certainly nothing new. The videos show a couple of quick experiments moving the shafts. Rotating them, one can get shafts of light that move like clock hands. Imagine a large cloud of these on an wall all rotating at their own frequencies (all of which could be variable). Most interesting of all (at least to me) is the effects created by bending the shafts. This allows the light to be focused and spread in organic shapes. With several of these simultaneously bent (not well documented), the effect is quite striking since they all bend slightly differently and distort in a broadly cohesive, but individually independent way. This process could produce the "shafts of light through trees" effect that Xin Wei suggested. I would be very interested in seeing how this works with the light guide that Josh is designing.
Cheers,
Byron
On Thu, Oct 30, 2014 at 1:41 AM, Xin Wei Sha <Xinwei.Sha@asu.edu> wrote:
Following Matt and Byron --How about(0) Shafts of sun light beaming through the space as if through forest canopy — How can we focus diffuse sunlight from Josh’s mylar tunnels?(1) Accordioned paper lanterns, floor standing,, size of body?Motorized to turn its head slowly tracking sun like a sunflower, but spilling light ..(2) A layer of flat clouds of round curved “chips” about 5-10 cm wide, made of frosted diffuser material — or even better cut into intricate lace?Each cloud could be pretty compact — no more than say 1m wide, so each array would be about 100 pieces at the very most.Each piece could be suspended on a string. Some strings are on motors.Diverse images, none of which capture what I’m imagining.
Lenka NovakovaSuspended 1m wide cast class disks into which she projected video of rivers
On Oct 29, 2014, at 5:56 PM, Matthew Briggs <matthewjbriggsis@gmail.com> wrote:A follow up,I just spoke with Byron and hypothesized some potential applications the "icicles."In the application above we could create movement based of the refraction of thenatural light or interject movement based on applied rhythm.We also spoke of using this light refraction as a feedback loop as a form of rhythm.This application could be applied to the movement in forms beyond the panels usingthe natural light as a parameter.A suggested form could be a desk lamp or a corner extension. The "icicles"could be stacked from top to bottom and rotated from the base to create a verticalor horizontal deflection. The "icicles" could also be installed in a flexible panel ina more rigid application to give direct control over their movement.We discussed the fact that the application of the "icicles" needs to be architecturalrather then sculptural. I think this can be achieved in all of these applicationsbut would like some input on these applications. Unfortunately I cannot findany examples of the other applications but I can create sketches if it is unclear.Byron also assured that the mechatronics would work in these scenarios.PS (I've attached the images in this email)On Wed, Oct 29, 2014 at 4:43 PM, Matthew Briggs <matthewjbriggsis@gmail.com> wrote:Hello all,I may have found a way to incorporate Byron's mechatronics to utilize natural light.I have many laser cut "icicles" of dichromatic acrylic (picture attached)These "icicles" do a great job of capturing light. I could hang many of these from a panelwhich either may be recessed in place of a ceiling panel or hung from a ceilingpanel. This panel could be made of a flexible material that already exists:or out of a material that is laser cut to become flexible. The panel could be animated froma number of control points using Byron's mechatronics. This would create an effect similar to thecombination of:+= potential light installation
We then could create an array of panels or clusters of panels which could take in rhythm data
via xOSC and output them into movement of the "icicles" positions in space.it is important to have a certain amount of light in the space to create a visual equilibrium and
relieve tension in the eyes. These "icicles" will not provide an significant introduction of light into the space. However they will produce a refraction of the existing light and a dynamic and non-intrusive way. If this light is paired with Josh's light tube system or the already existing natural lightI believe it could create an small amplification of that light but more importantly a psychological affectthat may have equal weight on the users of the space. I think it is important to have subtle butaesthetic pleasing sources of light in the workspace and this may function in that regard.Any thoughts or criticisms?I could fabricate these panels and install a small cluster by the workshop date.Byron do you think it would be possible to animate them by this time?I will leave the bag of "icicles" on your desk at synthesis for reference.Side note: I leave Monday for the AR2U conference in Ames, Iowa.So I won't be able to continue on this project until I get back on the 10th.thanks,-matthew briggsundergraduate researcher @synthesiscenterOn Sun, Oct 26, 2014 at 6:41 PM, Xin Wei Sha <Xinwei.Sha@asu.edu> wrote:Dear Matt, Kevin, and Josh,I’d like to (re)introduce you and Omar Faleh, who is coming from the TML for the LRR in November.In parallel to the iStage work, we should push forward on the animation of lighting in the Brickyard by• Bringing natural sunlight into the BY commons (Josh)• Modulating that natural light using Byron’s mechatronics• Make motorized desk lamps using Byron’s mechatronics• Designing rhythms (ideas from Omar, using Julian’s rhythm kit)Can we see what you have come up with this coming week?Meanwhile let me encourage you to communicate with Omar to see what you can create by the time of his arrival circa Nov 17.To be clear, this is distinct from the LRR in the iStage, but as strategically important in that it is the extension of that work into everyday space, which is one of Synthesis’ main research extensions this year.I’d like to write this work into a straw proposal for external sponsorship of your work… so it’d be great to have some pix soon!Cheers,Xin Wei
