Physis, poiesis in the highest sense

Not only handcraft manufacture, not only artistic and poetical bringing into appearance and concrete imagery, is a bringing-forth, poiesis. Physis also, the arising of something from out of itself, is a bringing-forth, poiesis. Physis is indeed poiesis in the highest sense. For what presences by means of physis has the bursting open belonging to bringing-forth, e.g., the bursting of a blossom into bloom, in itself (en heautoi). In contrast, what is brought forth by the artisan or the artist, e.g. the silver chalice, has the bursting open belonging to bringing­ forth not in itself, but in another (en alloi), in the craftsman or artist.

[Heidegger, Question Concerning Technology, 11]

[Synthesis] --> sheaf theoretic approach to quantum field theory, topology


Self=organizing maps (SOM in my previous email to Synthesis research) may be as appealing as picking up shells at the beach, 
but how about diving into the ocean and making deeper work?

At the SOM event sponsored by Ludgar Hovestadt and Vera Buhlmann in ETH Zurich, 
Elias Zafiris and Mike Epperson presented  a far richer body of ideas 
based on a sheaf theoretic approach to quantum field theory (greatly extending Whitehead)  :             


Mike Epperson has a way of combining causal and logical ontologies that may work, 
and is in any case worth serious post-Deluzian and post-Whiteheadean attention:

(4) 
For some elementary mathematical background to Mike and Elias' work:

[Synthesis] rhythm research: a self-organizing map (SOM) (jit.robosom)-->

Dear, Garrett, Mike, Julian, Omar, Chris Z,

Swiss-French artist Robin Meier used self-organizing maps
Paper about Max Jitter patch: jit.robosom

Self-organizing map abstraction for MaxMSP Jitter.

Don’t know if jit.robosom works or is very interesting in effect but his jit.robosom may be worth a try                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                    for rhythm experiments driving our lighting instruments. 
This is a relatively trivial application of linked oscillators.
We should be able to achieve much more interesting behaviour, 
especially with live action in the loop.

A presentation by an authority in SOM’s: Timo Honkela (Finland)



HUNCH : Mike K’s correlation-based method should yield more interesting temporal textures.

Xin Wei

________________________________________________________________________________________
Sha Xin Wei • Professor and Director • School of Arts, Media and Engineering + Synthesis
Herberger Institute for Design and the Arts + Fulton Schools of Engineering • ASU
skype: shaxinwei • mobile: +1-650-815-9962
Founding Director, Topological Media Lab •  topologicalmedialab.net/
_________________________________________________________________________________________________

goals for responsive architectures (animated space) research projects

People
Chris R — project manager 
Josh
Connor
Garrett
Byron
Advisors / Mentors: Todd (Xin Wei) Tech Team: Luke, Pete, Ozzie

Sites
Brickyard: Commons, Seminar room
Stauffer ground floor breezeway,  second floor reception area, ...
Matthews Fishbowl

Design Desiderata
Ozone-activate spaces;
adding a layer of responsive media underneath whatever other activity is happening in these spaces.

Climates:
thickening / chorusing 
memorializing (or anticipating)
given rhythm from “natural” or social activity, subtly modulate lighting or sonic responsive instruments.

Topology:
Suture Space (via portals)


Chris R will direct the rhythm of work.
I think Todd and I should come at least once a week to see incremental results.
(Luke as advisor on built environment, Pete on AV, Ozzie on electronics / network media — we need sysad for software and user accounts etc.)


Forcing functions (DATES):
HCI International (Portal paper) 
NSF grant ???  (different grant than the Intel one??)
Balance/Unbalance March 27=29
Atmosphere + Place: April 
Ambience April

CNMAT Mann, Freed: Making Sense of Many Angles using Radial Basis Function Interpolation and Salience Analysis

This is one clever set of techniques we should assemble for making aesthetically interesting uses of many streams of video.

Pervasive Cameras: Making Sense of Many Angles using Radial Basis Function Interpolation and Salience Analysis
Yotam Mann, Adrian Freedc

Abstract. This paper describes situations which lend themselves to the use of numerous cameras and techniques for displaying many camera streams simultaneously. The focus here is on the role of the “director” in sorting out the onscreen content in an artistic and understandable manner. We describe techniques which we have employed in a system designed for capturing and displaying many video feeds incorporating automated and high level control of the composition on the screen using radial basis function interpolation.

new materials : printed sheets of LED's

Here is Prof. Ellen Hansen’s Lighting Design program @ Aalborg University:

Ozzie, can you please add this to a database of active materials?

This could be another element in our future lighting and rhythm research work:
http://www.rohinni.com/#technology

Xin Wei

________________________________________________________________________________________
Sha Xin Wei • Professor and Director • School of Arts, Media and Engineering + Synthesis
Herberger Institute for Design and the Arts + Fulton Schools of Engineering • ASU
skype: shaxinwei • mobile: +1-650-815-9962
Founding Director, Topological Media Lab •  topologicalmedialab.net/
_________________________________________________________________________________________________

Re: machine diagram for O4 in iStage, launch protocols in each machine's desktop, three level user accounts

Hi Garrett, Connor, Pete,

Can you all please just update the whiteboard in the iStage with what you know —
perhaps redraw it on the larger whiteboard  in the iStage ?

Then email a photo snapshot of it to synthesis-operations@googlegroups.com  
for a timely report.

Then we’ll get someone to draw the diagram.

Thanks,
Xin Wei

________________________________________________________________________________________
Sha Xin Wei • Professor and Director • School of Arts, Media and Engineering + Synthesis
Herberger Institute for Design and the Arts + Fulton Schools of Engineering • ASU
skype: shaxinwei • mobile: +1-650-815-9962
Founding Director, Topological Media Lab •  topologicalmedialab.net/
_________________________________________________________________________________________________




On Dec 2, 2014, at 8:53 PM, Garrett Laroy Johnson <garrett.laroy.johnson@gmail.com> wrote:

Hi all, 
  Just bumping this thread to keep it in mind. I’m happy to draw something up, but it would be great if someone with some inDesign (or Adobe Illustrator, or Gimp) chops could render it as something a bit more legible. I’m afraid my drawings tend to be a bit crude ! 
—
Garrett L. Johnson
Musicology MA candidate @ ASU  
Synthesis Center - research assistant  
LORKAS (laptop orchestra of arizona state) - director 
__

On Nov 24, 2014, at 11:20 AM, Xin Wei Sha <Xinwei.Sha@asu.edu> wrote:

Hi Garrett, Chris, Mike,

I asked Connor to label the machines and draw a machine diagram.
Can you please update this — drawing a more complete one on the same whiteboard.
Then someone can take a photo and xfer to the SC private website.*

Let’s make up the launch cheat sheets first as paper post-its, then write up as a desktop README?

That way we can customize the launch protocol and instructions by type of user:

Administrator
Synthesis Developer
Synthesis Guest

Xin Wei

* Here is the PUBLIC website, launched as of yesterday (!) http://synthesis.ame.asu.edu


<IMG_3521.jpeg>


________________________________________________________________________________________
Sha Xin Wei • Professor and Director • School of Arts, Media and Engineering + Synthesis
Herberger Institute for Design and the Arts + Fulton Schools of Engineering • ASU
skype: shaxinwei • mobile: +1-650-815-9962
Founding Director, Topological Media Lab •  topologicalmedialab.net/
_________________________________________________________________________________________________

[Synthesis] LRR final runs Monday and Tuesday collecting rhythms from quotidian activities with ALL sensor channels in parallel

Mike, Garrett, Rushil, Qiao, Pavan, Jessica, 
Todd if you’re up for it,

For the capstone LRR experiments, my available times are
Monday  10:00 - 1:00
2:30 - 5:00

Tuesday 11:00 - 1:30*
2:15 - 3:30

• Experiments final runs
Can we get together sometime to do group everyday movements 
exploring entrainment, anticipation, retrospection, recording all available
sensor channels  in parallel?

• Outcomes: plans 
I would like to also review this correlation work with Mike, Rushil, Qiao, et al in Pavan’s group
to plan the next steps in the correlation experiments through February.

Garrett, Mike, let's integrate multiple sources into Ozone:

(1) Jessica Rajko’s xOSC’s that she may bring in,
(2) all Garrett's sources
(3) IMU’s when Ozzie gets them in.

Can we please set it up with mics + camera so we — everyone — can try introducing rhythms extemporaneously.

Remember the point of the LRR is also to study also quotidian movement,
so it is very important Monday Tuesday to try some everyday movement
coordinated by furniture or small everyday  props,  —
Pete may we set up a test table on a white board in the middle of the floor?  We’ll do it ourselves with your OK.

Let’s think of some everyday activities.  Jessica suggested lining up arranging chairs…
Garrett can we set up to record ALL sensors in parallel without restricting to just one sensor modality.

Chris R: can you, Ozzie help all participants make sure we save all the data and videos in the Synthesis afp net archive** that Tain set up?

* Sylvia:  Can we push a meeting with JV Tuesday 11:15-11:45 till Wed or after Thanksgiving ?

** TAIN BARZSO: HOW TO connect to the Synthesis net fileserver shares:

1. Browse to sslvpn.asu.edu

This site should attempt an automatic installation of the Cisco AnyConnect
Secure Mobility Client. From my experience, it rarely works.  If/when it
fails, you will have the option to manually download the software.  Please
do so.

2. After installing and running, it will ask you for a server name.  This
will be, again, sslvpn.asu.edu

3. When it asks for username and password, use your ASURITE credentials.

At this point, you will be connected to the ASU VPN network. 

4. Connect to the share  afp://amenas.dhcp.asu.edu
Username: synthesis
Password:  ( ask Ozzie, assuming  you are eligible according to our research access policy )

Connect to share name "Synthesis"


Entrainment, anticipation, retrospection!
Xin Wei

Fwd: Rhythm workshop # 2: Heartbeat, February or January 2015

Hi,

Let’s plan a visit from Teoma Naccarato and John MacCallum for the Rhythm workshop #2
with AME PhD’s interested in pursuing some “correlation” studies toward 
understanding coordinated, non-isomorphic gesture.    (Maybe Adrian if he’s up to it in February ? )

What dates would work for the scientific team?

Let’s first talk about what experiment we might try to run with John, Teoma, and local undergrad / grad performers.

We definitely should work with quotidian as well as rehearsed movers (aka dance students)
in everyday as well as choreographed scenarios.

Like I said to Mike, et al.   At the end of the workshop, 
i.e. on Monday and Tuesday, I’d like each hosted research cluster to draft some outcome, like

• Research proposal (e.g. notes for a grant )
• Notes on experience for future publication
• Data — o4.track — video + OSC streams recorded by Garrett
should be archived in Synthesis webspace accessible to
Pavan’s group, Mike and related SC researchers

as well as
• Documentation (video, images, text) usable for print as well as web pub.
• Code for Synthesis-TML commons
• Gear for AME-Synthesis space
• Know-how as tech documentation

Xin Wei

Begin forwarded message:

From: Teoma Naccarato <teomajn@gmail.com>
Subject: Re: Rhythm workshop # 2: Heartbeat, February or January 2015
Date: November 19, 2014 at 1:41:34 AM MST
To: Sha Xin Wei <shaxinwei@gmail.com>
Cc: John MacCallum <john.m@ccallum.com>, Pavan Turaga <pturaga@asu.edu>, Michael Krzyzaniak <mkrzyzan@asu.edu>, Julian Stein <julian.stein@gmail.com>, synthesis-operations@googlegroups.com

Hi Xin Wei and company,

 

Apologies for our delayed response… we just returned (to Paris) from England where we gave talks at the MIPTL lab at Sussex University, and the Digital Studio Lab at Goldsmiths (Freida says hello!). I hope the Rhythm Workshop is going well this week! 

  

Xin Wei, we are looking forward to the “Rhythm Workshop Part 2” you have proposed.  It will be great to learn about the rhythm measurement and analysis tools being developed at AME. Our software and hardware tools for sensing, processing, and documenting cardiac and respiratory activity during a range of body motion are developing well, thanks to John and Adrian, as well Emmanuel Fletty here at IRCAM. 

 

We are wondering if it would be a possibility to spend one or two weeks either prior to or after the collective workshop as a residency at the Synthesis Lab to focus on questions and tools specific to our project. We would love to give a presentation of our work to date, and guide focused research experiments with interested participants at the lab, and in music and dance. Would this be of interest?

 

Some questions that are guiding our current research at IRCAM, and that we hope to share with collaborators AME in the New Year include:

 

1.     What patterns of temporal correlation between cardiac, respiratory, and nervous function - during a range of physical activities and conditions - can be measured and observed via bio-sensing?

2.     How can such patterns be used to choreograph and compose intentional arcs in the heart activity of performers over time?

3.     How do humans and media negotiate between:

                                                        i.     Internal, felt sense of time - as perceived

                                                       ii.     Performative time - as realized

                                                     iii.     Score time - as prescribed 

4.     To what extent does the existence of a feedback loop between humans and media – real or perceived – impact the experience of performers, and of observers? 

We look forward to discussing further. Thank you very much!

 

Best wishes,

Teoma and John